Lunch Menu Site Directory Contact Volunteer Partners

  • Exploring Inquiry as a Teaching Stance in Writer's Workshop by Katie Wood Ray

    Posted by Kendra Jarvis at 10/9/2013 9:15:00 AM
    Comments (-1)
  • Closing in on Close Reading

    Posted by Kendra Jarvis at 4/23/2013 6:00:00 AM

    December 2012/January 2013 | Volume 70 | Number 4
    Common Core: Now What? Pages 36-41

    Closing in on Close Reading

    Nancy Boyles

    We can't wait until middle school to teach students to read closely. Three practices bring close reading to the lower grades.

    A significant body of research links the close reading of complex text—whether the student is a struggling reader or advanced—to significant gains in reading proficiency and finds close reading to be a key component of college and career readiness. (Partnership for Assessment of Readiness for College and Careers, 2011, p. 7)

    When I read this statement in the content frameworks of one of the consortia now creating assessments for the Common Core State Standards, I was frankly a little insulted. Of course I teach students to read closely—both my university students and younger students, through my literacy consultant work. But on closer examination, I realized I may not be encouraging students to read closely enough to meet the expectations set by these standards. Exactly what do the Common Core standards mean by close reading? And what principles and practices should guide us as we implement close reading in the classroom—particularly in elementary classrooms?

    Much of the available information about close reading centers on secondary schools, where this skill seems to fit most comfortably. By the time students are in these later grades, they are more inclined to think abstractly. They read complicated texts by great authors that beg for careful analysis. But close reading can't wait until 7th grade or junior year in high school. It needs to find its niche in kindergarten and the years just beyond if we mean to build the habits of mind that will lead all students to deep understanding of text.

    What Is Close Reading?

    Essentially, close reading means reading to uncover layers of meaning that lead to deep comprehension. The Partnership for Assessment of Readiness for College and Careers (PARCC) supplies clarification useful for teaching with Common Core standards in mind:

    Close, analytic reading stresses engaging with a text of sufficient complexity directly and examining meaning thoroughly and methodically, encouraging students to read and reread deliberately. Directing student attention on the text itself empowers students to understand the central ideas and key supporting details. It also enables students to reflect on the meanings of individual words and sentences; the order in which sentences unfold; and the development of ideas over the course of the text, which ultimately leads students to arrive at an understanding of the text as a whole. (PARCC, 2011, p. 7)

    If reading closely is the most effective way to achieve deep comprehension, then that's how we should teach students to read. But that description doesn't match much of the instruction I've witnessed in recent years.

    Why Close Reading Now?

    I wear a variety of professional hats—university professor, literacy consultant to districts, author of several books related to comprehension. To keep myself honest (and humble), I spend a lot of time in classrooms watching kids and teachers at work. During the past decade, I've observed a transformation in the teaching of reading from an approach that measured readers' successful understanding of text through lengthy packets of comprehension questions to one that requires students to think about their thinking, activating their "good reader" strategies. The National Assessment of Educational Progress even made one of those strategies—making reader/text connections—a thinking strand within its framework (National Assessment Governing Board, 2002). For a long while, this approach looked ideal. What could be better than creating metacognitive readers?

    But the teaching of reading veered significantly off track when those personal connections (also well represented on some high-stakes state assessments) began to dominate the teaching and testing of comprehension, often leaving the text itself a distant memory. And it got even crazier. I wish I could say that the time I overheard a teacher say, "If you don't have a real connection, make one up" was an isolated incident.

    Although well-intentioned, the shift to teaching reading as a set of thinking strategies too often left readers with the notion that the text was simply a launching point for their musings, images that popped into their heads, and random questions that, in the end, did little to enhance their understanding of the text itself.

    So if responding personally to text isn't leading students to deeper understanding, then where should teachers turn to help students improve their comprehension? We should turn to the text itself.

    Enter close reading.

    Reread that PARCC definition of close reading—closely—to extract key concepts. You might identify these ideas: examining meaning thoroughly and analytically; directing attention to the text, central ideas, and supporting details; reflecting on meanings of individual words and sentences; and developing ideas over the course of the text. Notice that reader reflection is still integral to the process. But close reading goes beyond that: The best thinkers do monitor and assess their thinking, but in the context of processing the thinking of others (Paul & Elder, 2008)

    Great, you may be thinking. I reread that passage. I processed. I monitored. And I agree that close reading will likely produce deeper understanding. But how do I get these concepts off the page and into my elementary school classroom? Here are three fruitful practices.

    Use Short Texts

    Most teachers subscribe to the belief that when students can read longer text, that's what they should read. Although we don't want to abandon longer texts, we should recognize that studying short texts is especially helpful if we want to enable students with a wide range of reading levels to practice closely reading demanding texts (Coleman & Pimentel, 2012).

    The Common Core standards suggest several genres of short text, both literary and informational, that can work at the elementary level. Many kinds of traditional literature—folktales, legends, myths, fables, as well as short stories, poetry, and scenes from plays—enable and reward close reading. For informational works, try short articles, biographies, personal narratives, and even some easier primary-source materials, such as Martin Luther King Jr.'s "I Have a Dream" speech, the preamble to the U.S. Constitution, or sayings from Poor Richard's Almanac. Appendix B of the Common Core State Standards notes numerous picture books that can be used with younger readers. Because children's listening comprehension outpaces their reading comprehension in the early grades, it's important that your students build knowledge through being read to as well as through independent reading, with the balance gradually shifting to silent, independent reading.

    When students are learning a process, such as how to search for a recurring theme, reading short texts allows them to make more passes through the entire sequence of a text. It could take weeks or even months to read through a 100-page novel to identify a theme or concepts related to the text as a whole. A short text of a page or two can be digested in one lesson.

    Aim for Independence

    Go Beyond "Ho-Hum" Questions

    It's our responsibility as educators to build students' capacity for independently comprehending a text through close reading. There's some controversy, however, as to how we should go about doing this.

    One organization, Student Achievement Partners—until recently led by David Coleman, a lead author of the Common Core standards—suggests that we accomplish this through "text-dependent questions." Coleman and colleagues (Coleman & Pimentel, 2012) advocate asking a sequence of questions that will lead students more deeply into a text. As an example, the organization's website presents this series of questions for 3rd graders, referring to the equivalent of 11 very sparse pages taken from Chapters 6 and 7 of Kate DiCamillo's novel Because of Winn-Dixie (Candlewick, 2000):

    • Why was Miss Franny so scared by Winn-Dixie? Why was she "acting all embarrassed"?
    • How did the Herman W. Block Memorial Library get its name?
    • Opal says, "She looked sad and old and wrinkled." What happened to cause Miss Franny to look this way?
    • What were Opal's feelings when she realized how Miss Franny felt?
    • Earlier in the story, Opal says that Winn-Dixie "has a large heart, too." What does Winn-Dixie do to show that he has a "large heart"?
    • Opal and Miss Franny have three very important things in common. What are these? (Student Achievement Partners, 2012)

    The culminating task for this exemplar activity is to explain in writing why Because of Winn-Dixie is an appropriate title.

    These are decent questions, requiring both literal and inferential thinking, but they fall short in several ways. First, none of them will generate real discussion; they all have basically a right answer, even those that don't call for verbatim "facts" from the story. Second, they are fairly ho-hum as questions go, sticking closely to the kinds of things we typically ask young readers. And asking students to justify a title when they have 19 more chapters to read seems a bit premature if you're looking for deep thinking based on the best evidence.

    Most of these questions align only with Common Core English Language Arts and Literacy Anchor Standard 1: finding evidence in the text. A couple of the questions address characters' feelings (Standard 3); and the last question delves into the author's message (Standard 2). But we didn't need the Common Core standards to push us to ask questions like these. Teachers are already quite good at asking questions about what the author is saying.

    Entirely missing from this question set is anything related to craft and structure (Standards 4–6) and integration of knowledge and ideas (Standards 7–9)—areas that are so often neglected, as the developers of the standards acknowledge. I would probe 3rd graders' thinking with questions like these:

    • In these chapters, the author repeats a few phrases, like, "My daddy was a rich man, a very rich man." Why does the author do this? Find more repeated phrases. What effect do these have on the meaning of the story? (Standard 4: the use of language)
    • In Chapter 7, Miss Franny Block tells Opal the story of the bear from long ago. Why do you think the author stops the action of the story to go back in time like this? What might not have happened if Franny Block hadn't told this story? (Standard 5: text structure)
    • What is Franny Block's point of view about Winn-Dixie by the end of Chapter 7? What is the evidence? Where does her point of view change? (Standard 6: point of view)

    Questions related to the integration of knowledge and ideas might be better posed later in the book, after students have digested more of the text's content. But the craft and structure questions I've suggested could be asked at any time—and they get much closer to the range of rigor to which the Common Core standards aspire.

    The final, most compelling reason I don't care for the Student Achievement Partners questions is that although they teach the reading—the content of the text—there's no attempt to teach the reader strategies by which that reader can pursue meaning independently, yes independently (notice my repetition for emphasis modeled after Because of Winn-Dixie).

    Teach Students to Ask the Questions

    Teaching is about transfer. The goal is for students to take what they learn from the study of one text and apply it to the next text they read. If all we're doing is asking questions about Winn-Dixie, readers will probably have a solid understanding of that book by the last page—certainly an important goal. But those questions, even the ones I posed, don't inform the study of subsequent books.

    How can we ensure that students both reap the requisite knowledge from each text they read and acquire skills to pursue the meaning of other texts independently? I suggest we coach students to ask themselves four basic questions as they reflect on a specific portion of any text, even the shortest:

    • What is the author telling me here?
    • Are there any hard or important words?
    • What does the author want me to understand?
    • How does the author play with language to add to meaning?

    If students take time to ask themselves these questions while reading and become skillful at answering them, there'll be less need for the teacher to do all the asking. For this to happen, we must develop students' capacity to observe and analyze.

    Focus on Observing and Analyzing

    First things first: See whether students have noticed the details of a passage and can recount those details in their own words. Note that the challenge here isn't to be brief (as in a summary); it's to be accurate, precise, and clear.

    The recent focus on finding evidence in a text has sent students (even in primary grades) scurrying back to their books to retrieve a quote that validates their opinion. But to paraphrase what that quote means in a student's own language, rather than the author's, is more difficult than you might think. Try it with any paragraph. Expressing the same meaning with different words often requires going back to that text a few times to get the details just right.

    Paraphrasing is pretty low on Bloom's continuum of lower- to higher-order thinking, yet many students stumble even here. This is the first stop along the journey to close reading. If students can't paraphrase the basic content of a passage, how can they dig for its deeper meaning? The second basic question about hard or important words encourages students to zoom in on precise meaning.

    When students are satisfied that they have a basic grasp of what the author is telling them, they're ready to move on to analyzing the fine points of content. If students begin their analysis by asking themselves the third question—What does the author want me to understand in this passage?—they'll be on their way to making appropriate inferences, determining what the author is trying to show without stating it directly. We might encourage students to ask themselves questions like these:

    • Who is speaking in the passage?
    • Who seems to be the main audience? (To whom is the narrator speaking?)
    • What is the first thing that jumps out at me? Why?
    • What's the next thing I notice? Are these two things connected? How? Do they seem to be saying different things?
    • What seems important here? Why?
    • What does the author mean by ______? What exact words lead me to this meaning?
    • Is the author trying to convince me of something? What? How do I know?
    • Is there something missing from this passage that I expected to find? Why might the author have left this out?
    • Is there anything that could have been explained more thoroughly for greater clarity?
    • Is there a message or main idea? What in the text led me to this conclusion?
    • How does this sentence/passage fit into the text as a whole?

    Students who learn to ask themselves such questions are reading with the discerning eye of a careful reader. We can also teach students to read carefully with the eye of a writer, which means helping them analyze craft.

    How a text is written is as important as the content itself in getting the author's message across. Just as a movie director focuses the camera on a particular detail to get you to view the scene the way he or she wants you to, authors play with words to get you to see a text their way. Introducing students to some of the tricks authors use opens students' minds to an entirely new realm in close reading.

    Figure 1 on p. 39 provides a list of craft techniques to which we might introduce students to encourage close reading, along with questions that might help students explore how an author uses each craft in a text.

    FIGURE 1. Craft Techniques and Related Questions for Close Reading

    Craft Technique

    Possible Questions

    Imagery, including comparisons:

    • Similes
    • Metaphors
    • Personification
    • Figurative language
    • Symbols

    What is being compared?

    Why is the comparison effective? (typically because of the clear, strong, or unusual connection between the two)

    What symbols are present? Why did the author choose these symbols?

    Word choice

    What word(s) stand out? Why? (typically vivid words, unusual choices, or a contrast to what a reader expects)

    How do particular words get us to look at characters or events in a particular way? Do they evoke an emotion?

    Did the author use nonstandard English or words in another language? Why? What is the effect?

    Are there any words that could have more than one meaning? Why might the author have played with language in this way?

    Tone and voice

    What one word describes the tone?

    Is the voice formal or informal? If it seems informal, how did the author make it that way? If it's formal, what makes it formal?

    Does the voice seem appropriate for the content?

    • Sentence structure
    • Short sentence
    • Long sentences
    • Sentence fragments
    • Sentences in which word order is important
    • Questions

    What stands out about the way this sentence is written?

    Why did the author choose a short sentence here? (for example, so it stands out from sentences around it, for emphasis)

    Why did the author make this sentence really long? (for example, to convey the "on and on" sense of the experience.)

    Why did the author write a fragment here? (for example, for emphasis or to show a character's thoughts)

    Based on the order of the words in this sentence, which word do you think is the most important? Why? What was the author trying to show by placing a particular word in a certain place?

    Getting students to ask themselves the four general questions and the more specific questions about content and craft is a long-term goal. If we want to create close readers who are also independent readers, we need to explicitly teach how to approach a text to uncover its multiple layers of meaning. In the meantime, we'll need to come to class prepared to ask important text-dependent questions when students' own questioning fails to produce a deep understanding. But those questions need to be more than "text-dependent"; they need to represent the full range of the Common Core standards.

    College and career readiness begins in the primary grades. With the right tools, we can build close reading skills even with our youngest readers.


    Coleman, D., & Pimentel, S. (2012). Revised publishers' criteria for the Common Core State Standards in English Language Arts and Literacy, grades 3–12. Retrieved from Student Achievement Partners at

    National Assessment Governing Board. (2002). Reading Framework for the 2003 National Assessment of Educational Progress (Appendix A). Washington, DC: Author.

    Partnership for Assessment of Readiness for College and Careers. (2011). PARCC model content frameworks: English language arts/literacy grades 3–11. Retrieved from

    Paul, R., & Elder, L. (2008). How to read a paragraph: The art of close reading. Dillon Beach, CA: Foundation for Critical Thinking Press.

    Student Achievement Partners. (2012). Close reading exemplar: Grade 3, "Because of Winn-Dixie." Retrieved from Student Achievement Partners.

    Nancy Boyles is the graduate reading program coordinator for Southern Connecticut State University in New Haven and author of six books, including That's a GREAT Answer! Teaching Literature-Response Strategies to Elementary, ELL, and Struggling Readers (Maupin House Publishing, 2011).

    Comments (-1)
  • How Important is Teaching Literacy in All Content Areas?

    Posted by Kendra Jarvis at 9/19/2012 9:00:00 AM

    How Important is Teaching Literacy in All Content Areas?

    AUGUST 4, 2010

    You are busy this summer planning and reworking lessons -- adding, adjusting, and tweaking. Here's something to think about, fast forward to fall: We know students do plenty of listening in our classes, but what about the other three communication skills they should be engaging in and practicing daily?

    I'm talking about reading, writing, and speaking.

    Let's define literacy. It was once known simply as the ability to read and write. Today it's about being able to make sense of and engage in advanced reading, writing, listening, and speaking.

    Someone who has reached advanced literacy in a new language, for example, is able to engage in these four skills with their new language in any setting -- academically or casually.

    Literacy is an Every-Century Skill

    If you are a math, history, science, or art teacher, where does literacy fit into your classroom instruction? It's common to believe that literacy instruction is solely the charge of language arts teachers, but, frankly, this just is not so. Naysayers, please take a moment to think about this quote:

    "Adolescents entering the adult world in the 21st century will read and write more than at any other time in human history. They will need advanced levels of literacy to perform their jobs, run their households, act as citizens, and conduct their personal lives." -- Richard Vaca, author of Content Area Reading: Literacy and Learning Across the Curriculum

    With content standards looming, it's easy to only focus on the content we teach, and covering material. We have so much to tell students and share with them. However, are we affording students enough time daily to practice crucial communication skills?

    Here's one way to look at it: Content is what we teach, but there is also thehow, and this is where literacy instruction comes in. There are an endless number of engaging, effective strategies to get students to think about, write about, read about, and talk about the content you teach. The ultimate goal of literacy instruction is to build a student's comprehension, writing skills, and overall skills in communication.

    Ask yourself, how do I mostly convey the information and knowledge to my students? Do I turn primarily to straight lecture, or teacher talk? Or, do I allow multiple opportunities for students to discover information on their own?


    Students having academic or high-level conversations in small and large group settings does not happen overnight. It takes time -- and scaffolding -- to create a Socratic Seminar setting in your classroom.

    In order for our students to engage in academic conversation, or accountable talk, they need plenty of practice with informal conversation in pairs and triads. Use the following strategies frequently for building students' oral skills: think-pair-share, elbow partner, shoulder share, and chunk and chew. Kids need to be talking and not sitting passively in their seats. Remember, Vygotskybelieved learning to be a very social act!

    For every 5-8 minutes you talk, give them 1-2 minutes to talk to each other. You can walk around and listen, informally assessing and checking for understanding.

    Conversation helps immensely when processing new content and concepts. Students also will surely have more fruitful answers to share (be sure to always provide think time when asking questions of students).


    When was the last time your students had sore hands from writing in your class? Just like conversation, writing helps us make sense of what we are learning and helps us make connections to our own lives or others' ideas.

    You can't avoid thinking when you write.

    Students need to be writing every day, in every classroom. How about adding to your instruction more informal and fun writing activities like quick writes, stop and jots, one-minute essays, graffiti conversations? Not all writing assignments need be formal ones.

    If you haven't heard of the National Writing Project (NWP), it's the largest-scale and longest-standing teacher development program in U.S. history. Workshops are offered nationwide (usually through a local university) where teachers of all content areas learn new and exciting strategies to encourage, support, and grow the young writers in their classrooms.

    Two tenets of the NWP that I think produce wide gains in student writing: teachers writing side-by-side with students, and creating time on a regular basis in your classroom for writer's workshop that follows a type of writing process that puts the writer in charge (of content, voice, and structure).


    The days of believing that we could hand informational text or a novel to a student and assume he or she makes full meaning of it on their own is a teaching mode of the past. Whether we like it or not, regardless of the content we teach, we are all reading instructors.

    Scaffolding the reading by using effective strategies for pre-, during, and after reading, such as: previewing text, reading for a purpose, making predictions and connections, think alouds, and using graphic organizers will support all our students, and not just struggling readers and English learners.

    Another onus not only on English teachers, but all teachers as reading instructors? We need to inspire both a love for reading, and build reading stamina in our students (this means eyes and mind on the page for more than a minute!)

    But, how do we do this? A high-interest classroom library is a great place to start. If you are a Title I school, there should be funds set aside for classroom libraries. If not, advocate for all classrooms at your school site to have a library, even if it's just a handful of books to get you going.

    You can make the investment yourself, or have a book-raiser party. Email all your friends a wish list for books that students have requested and those easy sells (Twilight, Guinness Book of World Records...). Ask them to bring one or two of the books to your cocktail/appetizer party. (Read this Edutopia post for ideas on how to set up and manage your classroom library).

    If you are a physics teacher, do all your books need to be about science? Absolutely not! But you might want to focus primarily on informational, non-fiction books. In fact, with the new national standards for English emphasizing more non-fiction text and quite a bit less literature, I say all K-12 teachers need to enhance their libraries with more non-fiction (this can include newspaper and magazine subscriptions as well).

    (I'm not going to go into listening as a communication skill, since I think our students do plenty of that already, but here's a great Web site withcharacteristics of an effective listener you can share with your students and they can practice with each other.)

    What role does literacy play in your classroom? What are some ways you weave instruction in reading, writing, and speaking into the content you teach? Please share!

    Comments (-1)
  • Communicating With the Tech Savy Parent

    Posted by Kendra Jarvis at 8/17/2012 6:00:00 AM

    Beyond the Note: Tech-Enabled Parent Communication

    EducationWorld is pleased to present this article contributed by Stephanie Blackburn, a graduate student at the University of North Alabama completing a master’s degree in elementary education.

    Communicating with parents can be challenging for teachers. When I started out as a kindergarten teacher, I received my fair share of angry notes, phone calls and emails from parents. In addition, I often wondered if parents were choosing to ignore my communications, not getting them, or simply didn’t care. Despite these challenges, I worked to foster relationships with parents and make them feel like they played a major role in the academic success of their child.

    Study after study has shown that parent involvement is directly related to student achievement. Authors Anne T. Henderson, Karen L.Mapp, Vivian R. Johnson and Don Davis, in Beyond the Bake Sale, the Essential Guide to Parent Involvement, review research demonstrating that collaboration among schools, parents and communities results in higher academic achievement by students, better student behavior, better attendance and a more positive school climate.

    Teachers can increase the chances of reaching these goals by developing a relationship with parents and communicating effectively.

    I thought about how I communicated with my family and friends. How often was I sending my friends and family letters? Was I making many phone calls these days? The answer for me, to both those questions, was "not very often." So why was I still using outdated and ineffective ways to communicate with parents? After a lot of reflection, I realized that I needed to communicate with parents the way the rest of society communicates with each other. So I set out to research some new and innovative ways to use technology to communicate.

    Some key methods include text messaging, Skype and blogging.

    Text Messaging

    Text messaging is familiar to many of us, and some even prefer to communicate this way. A text message is a convenient and often real-time form of communication. Several software programs--Class Parrot, Class Pager, G Text, Kiku Text, We Text, and Send Hub, just to name a few--allow a user to send text messages to a group using his/her computer. Generally, a teacher creates a group of people with whom they'd like to communicate, and group members use an opt-in code to begin receiving messages. Some platforms allow all phone numbers to be kept private, and some are even free to use. By sending out group text messages, teachers can keep parents up to date on classroom activities, announcements or homework deadlines.


    As a teacher, I am often disappointed with the turnout of parents at conference time. I often wonder if their lack of participation in the conferences is due to work or family scheduling conflicts. One way to get around a busy schedule and still have a face-to-face meeting with parents is to use Skype. Skype allows two people to talk with each other using their computers, and its video feature makes virtual meetings possible. The basic Skype software is free and requires only an Internet connection.


    When I have had a student perform poorly on a test or homework assignment, upon sending the work home, I often got a note back from a parent. The notes usually said things such as the student didn’t know there was a test, didn’t study, or didn’t know what to study. By using an Internet blog, the teacher can prevent a lot of this miscommunication.

    Many teachers are already using blogs with their students and easily can begin using a class blog as an electronic bulletin board. A teacher can post reminders for deadlines, upcoming events, study guides, or other homework resources that parents can access from home. Blogs allow teachers to give information to parents to help their child outside school walls.

    Teachers need to make parents their teaching partners. In pursuit of this goal, group text messages, Skype, and blogs are helpful technology-based forms of communication. The next time you set a deadline that only a handful of parents meet, remember that tech-enabled communication methods might achieve better results.

    Related resource

    The free, Web-based SchoolNotes platform simplifies school-to-home communication, allowing teachers to post assignments, messages and more for easy parent access.


    Education World®             
    Copyright © 2012 Education World

    Comments (-1)
  • 7 Keys to Comprehension

    Posted by Kendra Jarvis at 8/16/2012 2:10:00 PM

    The Seven Keys to Comprehension

    How to Help Your Kids Read It and Get It!


    By:  Susan Zimmermann

    Author of Mosaic of Thought


    Chryse Hutchins


    Sounding out or decoding words is part of the reading puzzle but falls short of real reading.  If children don’t understand what they read, they’re not really reading.  If they don’t unlock meaning as they read, the words are boring babble and they will never read well or enjoy reading.  So, how is meaning unlocked?


    In the 1980’s, a breakthrough occurred:  researchers identified the specific thinking strategies used by proficient readers.  They found that reading is an interactive process in which good readers engage in a constant internal dialogue with the text.  The ongoing dialogue helps them understand and elaborate on what they read.  By identifying what good readers do as they read, this research gave important new insights about how to teach children to read it and get it.


    Good readers use the following 7 Keys to unlock meaning:


    1. Create mental images:  Good readers create a wide range of visual, auditory, and other sensory images as they read, and they become emotionally involved with what they read.
    2. Use background knowledge:  Good readers use their relevant prior knowledge before, during, and after reading to enhance their understanding of what they’re reading.
    3. Ask questions:  Good readers generate questions before, during, and after reading to clarify meaning, make predictions, and focus their attention on what’s important.
    4. Make inferences:  good readers use their prior knowledge and information from what they read to make predictions, seek answers to questions, draw conclusions, and create interpretations that deepen their understanding of the text.
    5. Determine the most important ideas or themes:  Good readers identify key ideas or themes as they read, and they can distinguish between important and unimportant information.
    6. Synthesize information:  good readers track their thinking as it evolves during reading, to get the overall meaning.
    7. Use fix up strategies:  Good readers are aware of when they understand and when they don’t.  If they have trouble understanding specific words, phrases, or longer passages, they use a wide range of problem-solving strategies including skipping ahead, rereading, asking questions, using a dictionary, and reading the passage aloud.


    Good readers use the same strategies whether they’re reading Reader’s Digest or a calculus textbook.


    There is nothing fancy about these strategies.  They are common sense.  But to read well, readers must use them.


    Excerpted from:  7 Keys to Comprehension: How to Help Your Kids Read It and Get it!


    Authors:  Susan Zimmermann and Chryse Hutchins.

    Three Rivers Press

    New York


    ISBN:  0-7615-1549-6

    Follow the link below to print classroom posters of the 7 Keys to Comprehension
    Comments (-1)